Hello and welcome to another Ink Drop, thanks to our friends at Goulet Pens. I actually have a decision to make regarding this program – thanks to the USPS, the price of an international subscription is going up, so they’re giving a chance to opt-in to a $5 increase. The price doesn’t bother me, but it would be a chance to stem the growing tide of tiny little sample bottles that threaten to overrun my desktop… On the other hand, I would miss getting mail and doing this, so I’ll probably keep my subscription going.
Anyway, here are the inks we got in January:
As you can see, it’s a fairly muted selection this time around. They all write nicely, though – no wild feathering like last time – and there are subtle differences in the inks that take a bit of looking to detect.
De Atramentis’ Jane Austin and Edgar Allan Poe are two really, really similar green inks. Poe is a bit lighter than Austin, which is weird since Poe has never really been considered lighter than anyone. But as greens go, they’r both serviceable and gave me no trouble.
Gray Flannel is a pale, gray-blue color that might be a nice option if you’re one of those people who likes blue, but doesn’t want a BLUE-blue, like Iroshizuku’s Kon-Peki or Private Reserve’s DC Supershow or something like that. This is a blue that won’t draw too much attention to itself, which is useful at times.
The other two follow the same pattern as the cool-colored inks. De Atramentis’ William Shakespeare is a dark, wine-red ink that, like Gray Flannel, is good if you want red, but not High School English Teacher red. And J Herbin’s Cafe de Iles is a brown, almost orange color that turns out brighter than you might expect. It’s not exactly glowing, but there’s good warmth to that ink. Not sure when I’d use it, though. For calligraphy, I tend to default to walnut ink if I want a brown.
Anyway, that’s all for now. Happy writing!